CASE STUDIES

Proof in pixels,
not claims.

Every set here starts from real source inputs and ends with the campaign assets they became — spec work labeled as spec, builds documented, nothing invented. Newest first.

Three frames from the YG Studios spec campaign: an arrival out of a car door, the doubled waistband at a shop counter, and the thigh monogram outside a blue shopfront

FIG. 05 — SPEC CAMPAIGN

YG Studios: two flats into four street ads

2 SOURCES / 4 ADS / 11 ANCHORS / 9:16

One pair of sweatpants, two garment flats, four vertical ads — each opening on its own hook and landing on the same three body beats.

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Three frames from the Cold Culture spec campaign: an apartment back print, a hooded chest-mark close in an underpass, and a walk at the waterline

FIG. 04 — SPEC CAMPAIGN

Cold Culture: eight photos into five one-go films

8 SOURCES / 5 FILMS / 20 SHOTS / 9:16

One hoodie, eight ecommerce photographs, five vertical films in five worlds — each carrying four shots and three cuts inside a single continuous take.

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Three frames from the Shinzo spec campaign: crest macro, locked overhead on a Persian rug, back-panel look

FIG. 03 — SPEC CAMPAIGN

Shinzo: three photos into four one-go films

3 SOURCES / 4 FILMS / 41 BEATS / 9:16

One hoodie, three reference photos, four vertical ads — each generated as a single Seedance 2.0 take with the cuts baked in.

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Frame from the Kith spec campaign spot ad

FIG. 02 — SPEC CAMPAIGN

Kith: four product shots into an 11-asset kit

4 SOURCES / 11 ASSETS / 4 RATIOS

Four ecommerce references became a 13-second spot, 8 statics and 2 motion variants, built for feeds, stories and reels.

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